versión en español Editorial # 1 (2011) "Experimental" poetry is often regarded as being as much a marker of temporal as it is of stylistic distinction, a synonym almost for Postmodernity - conjuring up as it does connotations of the post-avant-guard movements that have arisen since the Second World War (in particular...

No. 1 (2011) Private Bestiary: selected unpublished poems, 1944-1993 By Kendrick Smithyman, edited by Scott Hamilton (Titus Books, 2010) Reviewed by Tim Bowron (Spanish Program, University of Canterbury, New Zealand) The poet Kendrick Smithyman (1922-1995) remains - as Scott Hamilton[1] points out in his introduction to this volume - a largely unknown figure in...

No. 1 (2011) Almandrade e o poder da condensación verbovisual   Dr. Laura López Fernández, editora da Revista EXP, falou com o expoente da poesia visual brasileiro Almandrade (Antonio Luiz M. Andrade)   LLF: Almandrade, para informar o leitor que não o conhece, descreva sua trajetória artística de poemas visuais, multimeios e projetos...

No. 1 (2011) Nuevos libros, nuevas horas [1] Felipe Cussen (Instituto de Estudios Avanzados - Universidad de Santiago de Chile) Resumen: Los libros de horas medievales se caracterizaron por una estructura regular, que permitía ordenar los diversos momentos de la devoción cotidiana. En el siglo XX, muchos poetas recurrieron a este modelo como...

No. 1 (2011) Khlebnikov vs. Mayakovsky: a Budetlianin and a Futurist in the Mirror of Their Verbal Painting Anastasia Kostetskaya (Department of Slavic and East European Languages and Cultures at The Ohio State University) Abstract: The visual aspect of writing is important for the reader's understanding of the author's message. Poetic works created...

No. 1 (2011) Both Communal and Private: Access and Subversion of Access to Poetry in the Virtual Environment O.J. Cade (Centre for Science Communication, University of Otago, New Zealand) Abstract: Poetry is accessed and experienced according to medium, and the primary characteristics of that access change as the medium changes. If oral poetry...

No. 1 (2011) El sentido del experimentalismo en la poesía de Juan Eduardo Cirlot Félix Morales Prado   Resumen: En la obra poética de Juan Eduardo Cirlot, que tanto bebe en las fuentes de la tradición como incorpora e idea avanzados y arriesgados ...

No. 1 (2011) Juan Eduardo Cirlot y el perfil agudo del ave surrealista Juan Ramón Vélez García (Universidad de Salamanca) Resumen: Juan Eduardo Cirlot puede ser considerado como una rara avis en el panorama literario español de posguerra. Su poesía, que amalgama un fuerte ...

No. 1 (2011) The troubles with “Speech” Lawrence Upton Section 1 “Speech” is a generic title which I apply to a wide range of writings, nearly all of them multi-voice, including Water lines (Chalk Editions, 2009). There are some examples at the end of this essay. There are...

No. 1 (2011) Interview with Dr. Otto H. MacLin on Visual Perception Recently EXP Director Dr. Laura López Fernández spoke with Dr. Otto MacLin, Distinguished Scholar in the Department of Psychology at the University of Northern Iowa about his research in the field of visual perception and aesthetics. LLF: Hello Dr. MacLin. As...